Category Archives: Collections

Fearless gripping climate art

I’m struggling to write a response to the IPCC climate report published this week, as it’s somewhat overwhelming. I’m pleased to see that it is triggering lots of conversation about climate breakdown. It’s been chosen as the topic of BBC’s Moral Maze this week and commentators that normally steer clear have been touching on it. But, I’m taking time to read the report itself, and to read all the articles about it, and to take an overview of how people are responding.

One particular response was a tweet by John McMahon:

Screenshot 2018-10-11 11.54.23

This is a great provocation, to which I replied: It’s not so much that we need more art/culture like this, but that more people need to feel free to express fears & horrors, without being jumped on for being a ‘doom-monger’. And we need cultural support and infrastructure for communities to work through those fears to be able to adapt, and to find and demand solutions.

Anohni is a brilliant example of a musician prepared to express the darker side of facing climate breakdown. It’s interesting that John picked out the quote “I wanna hear/see…” these horrible scenarios of climate breakdown, from the chilling song ‘4 Degrees’. I take this perspective to be a disassociated character, a cipher for destruction. In yesterday’s Moral Maze programme, Charlotte du Cann was brought on as a witness, as a person who (like me) is actively involved in the Dark Mountain project. Giles Fraser challenged her particularly on one phrase in the manifesto, “We do not believe that everything will be fine. We are not even sure, based on current definitions of progress and improvement, that we want it to be.”  He felt that this was immoral, taking it as a kind of nihilistic wish to bring on the worst. What is at issue, however, is the myth of progress that assumes the possibility and desirability of technological utopia. The truth is that everything will not be fine, and ‘wanting everything to be fine’ will not make it so in this global context, so it is not a helpful starting point or framing for one’s desires.

The kind of work that really shifts the frame to see darker realities and future possibilities, which allows expression of trauma about climate, is fairly rare. Climate art is very varied but amongst its range, there are two strong types especially in the art that reaches mainstream attention:

  • Not really about climate: picking a related issue, or using another disaster as a metaphor for climate – not wanting to be too simplistic.
  • Too obviously about climate: following familiar safe tropes, not wanting to be too arcane, wanting to connect with what people understand.

I suspect there is a body of theatre work on climate change that is more cathartic, fearless and gripping. However, I tend not to go to theatre, (as I spend too much time involved in music, visual art and museums) so it’s hard to tell the impact of theatre if you don’t go.

I decided to start a collection of Climate Art, for Climate Museum UK’s digital museum, to include performance/theatre amongst other categories. Please tell me about fearless and gripping climate art to put in this collection! Here it is: https://www.pinterest.co.uk/bridgetmck/climate-art/

 

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Collecting climate music

One of the collections of Climate Museum UK is songs and compositions about climate change (and the wider planetary crisis).

It feels important to capture the musical response to the unfolding planetary emergency. The artists gathered in this list might be commissioned for new works. Researchers might use this collection to inform research on music & arts about the environment. These songs can provide solace or inspiration, or be sung in protests or performances.

In creative guide for the #RiseforClimate day of action (8th Sept ’18) Lu Aya of the Peace Poets has shared some ways that music can be used in movements for climate action and justice: Gathering, Grounding, Focus, Energising, De-escalation, Grieving, Bonding, Moving, Transitioning: Escalating, Accompanying, Channeling, Messaging, Transforming, Beauty, Rage, Love, Connectedness, Purpose, Closing.

In total, there are around 630 songs, and growing.

Most of the songs are on the following Spotify links:

The main playlist: Climate Change

Another playlist is Extinction and endangered species – which is also useful for Remembrance Day for Lost Species

Here are some general songs about the environment, ecology and planet Earth

Some songs inspired by the Dark Mountain Project, facing darker futures or collapse.

And in addition, songs about rain, about sun, about forests and trees, and about animals

Other things shared with me, not on Spotify, include:

The above playlist is of music produced by the duo ‘Decades After Paris’ in chronological order of the place each song has in the story. The 2015 album tells a story of our future with climate change, starting at the NYC People’s Climate March in 2014. Subsequent releases contribute to this story, at different parts of the timeline. The latest piece, Apocalypse Sky was a response to forest fires in 2017.

Composer Jonathan Dove, who went on Cape Farewell’s expedition to West-Greenland in 2008, launched a work named Gaia Theory for a symphony orchestra which was premiered during the BBC Proms 2014. Inspired by the work of James Lovelock and continuing Dove’s concern to address environmental issues in his music, Gaia Theory takes as its starting point Lovelock’s idea that the Earth behaves as a self-regulating organism, and his description of all the inter-related processes maintaining the earth in the optimum conditions for life as a kind of dance.

Aslak Grinsted is a climate scientist who makes music when he’s on location in Greenland doing his research.

You can see the Twitter thread where people shared many suggestions here.

Comment on this post or email on climatemuseumuk@gmail.com if you’d like to add a track to the collection.